“To beat somebody with
your fists doesn’t make you anybody. On the other hand, a shiv gives you real
authority.”
What a great line that
is—hardboiled and hopelessly nostalgic. The character that says it in
Republic’s Federal Agent at Large is
a nervous twitch called Jumpy. Nostalgic? Of course. What kind of hood totes a
knife? One circa 2014 stop-and-frisk and you’re off to Rikers. Then again,
maybe by 1950 the nostalgia was wearing thin. Late in the picture Jumpy learns
the hard way not to bring a switchblade to a gunfight.
Silence of the Lambs! Note the one-sheet hanging above the TV at Quantico. |
You ready to watch this yet? I thought so.
Jumpy. Mr. Upstairs. The dame?
Call her Solitaire. With character names as delicious as these, the plot practically becomes secondary. Here it is anyway. The Feds send Mark Reed (Kent Taylor) down Mexico
way to get to the bottom of an elaborate gold smuggling ring. Seems like a gang
of hoods, run by Mr. Upstairs, have blackmailed a university archaeology
professor (Robert Rockwell) into sneaking the gold through customs hidden
inside artifacts from his dig. Reed infiltrates the gang and things unfold
about as you’d expect them to—until a whopper of a surprise at the end almost pushes the movie into film noir territory. (Not quite though.) There’s almost no chance
you’ll track this down and see it, so I don’t mind spoiling: There’s no sunset
to ride off into for agent Reed. Just when you think he’s about the turn the
tables on Mr. Upstairs, the old man uncorks a revolver and ventilates him.
Borrowed from T-Men? Maybe, but
eyebrow-raising nonetheless.
Star Kent Taylor acted in
Hollywood for five decades, but he’s a forgettable hero. Likeable but bland, he
reprised Chester Morris’s Boston Blackie
character on television for three years in the early 1950s. Dorothy Patrick
actually gets top billing as Solitaire, the is-she-or-ain’t-she-a-bad-girl
nightclub owner. Patrick accounts for most of the film’s verve. She was coming
off a strong showing in the 1949 Oscar heavyweight Come to the Stable, but her career never took off as it should
have. Film noir fans will undoubtedly recognize her as the girl Friday in
1949’s Follow Me Quietly. Bag of
potatoes Robert Rockwell is billed third. He and Eve Arden spun Our Miss Brooks’s into some small
measure of immortality, but then the cast falls into obscurity. All the fourth billed star, Estelita Rodriguez, has
to offer is a pair of songs.
This is a little movie, 59
minutes long and relegated to sound stages and the back lot. Just like Anthony
Mann’s T-Men, it ends with a gun
battle on a big ship tied up in Long Beach. Federal
Agent at Large isn’t a knock-off though, the budget wouldn’t have allowed
for it. Make no mistake, we are in bad movie territory here. But look past
budget and production values and you’ll find something to like. Director George
Blair (Lonely Heart Bandits, Destination Big House) didn’t have much
to work with beyond a routine script peppered with a few great lines, but he managed
several competent moving-camera shots and starkly lit nighttime interiors and
exteriors. The brawls and gunfights are far from boring, and the way the film establishes its flashback structure and voiceover narration (minimal) is quite original. If you manage to watch this and can’t find
anything to like, then at least get a load of the poster. If you don’t like
that, something’s wrong with you.
Federal Agent at Large (1950)
Produced by Stephen Auer
Directed by George Blair
Written by Albert DeMond
Starring Dorothy Patrick,
Kent Taylor, and Robert Rockwell
Cinematography by John MacBurnie
Released by Republic Pictures
Running time: 60 minutes
The movie sounds irresistible, and so is your post.
ReplyDeleteAh Jacqueline, your kind words always make my day!
DeleteI'd love to see it. Never heard of it.
ReplyDeleteGive me Poverty Row anytime
Thanks Vienna - I hope you get the chance! It's out there on a few sharing sites.
DeleteA review almost as delicious as a Chesterfield Girl. Wink!
ReplyDeleteHa — Thanks! Lucy was a Chesterfield Girl!
Delete